The focus ring has no slack/play between its movement and the focus-action and a throw of 130 degrees which is more than enough for manual focus at f4.0.

Some functions may not work depending on the camera model. [0]Auto Focus: HSM (Hyper Sonic Motor), so it also works on camera bodies which don’t have an AF-drive built in like Nikon’s D3x00/5×00.

The heat quickly turned it to rolling fog in the hills. So here is something the other manufacturers should think about. The zoom ring turns through 80 degrees and has a 13mm wide rubber surface which is pretty small for the most important ring on this lens. The super wide Sigma lens is perfect to capture such monumental architecture.PHOTO TAKEN FROM THE SOUTH ABLUTION OF SHEIKH ZAYED GRAND MOSQUEvery popular pose point is this Dali statue in Figueres, Spain.Probably the least photographed side of the bridge.I saw that the sunset and Moonrise were almost the same time so i hiked thru the snow to get this shot.From the deck of a cruise ship looking out to the sunsetting over the vast ocean moving a a great speed.catch an awesome image in back light condition by constrain image quality at the point of interest which is dominated by mid-light.A self portrait taken inside of a tunnel using the marvelous angle of view from the Sigma 12-24mm lens at 12mm, camera mounted on a tripod.This photo was shot at Jonathan Dickinson State Park in the Canoe rental area.Canon Eos 5D Mark ii - Sigma 12-24 mm f:4.5-5.6 EX DG ii HSMThis week’s Fan Photo of the Week was taken by photographer Walter Arnold made with the Sigma’s new 12-24mm F4.5-5.6 DG II HSM. I’ll compare it mostly with its predecessor, the Sigma 12-24/4.5-5.6 (the “predecessor” for short) and the Tamron 15-30/2.8 VC (the “Tamron” for short).

This is what the missing 3mm at the short end and the additional 6mm at the long end look like:Above: Tamron 15-30/2.8 VC coverage on Nikon D810 (FF/FX) body at 15mm (left), at 30mm (right)Above left: Tamron 15-30/2.8 VC, above right: Sigma 12-24/4.0 ArtFocus accuracy and repeatability is critical to consistently produce sharp shots. Size and weight is for the Nikon mount version.Size (diam. Manual-focus override is by simply turning the focus ring.

Read our in-depth Sigma 12-24mm F4 DG HSM Art review now, complete with full-size sample images. May not be used without permission. 2011 brachten wir eine neue Version dieses Objektivs heraus: das SIGMA 12-24mm F4,5-5,6 II DG HSM. So if you’re shopping for a ultra wide-angle zoom, you’ve come to the right place!As usual I’ll have a look at the technical data first. The Hyper Sonic Motor (HSM) ensures quick, quiet and accurate autofocusing and also features full-time manual focus override. Cross reference all the specs using the lens chart.Check the compatibility of lenses with your camera make and model.Get all the information you need on discontinued lenses.See how a lens performed using the Modulation Transfer Function (MTF) Chart Guide.

* Nikon mounts do not have an aperture ring. I am a real estate photographer and if I could have only one lens in my entire kit - I would chose this one hands down.a handheld shot of this amazing interior taken with Canon EOS 5D Mark iii and using beautifully wide Sigma 12-24mm F 4.5/5.6 DG HSD II lens.Handheld shot of this extraordinary interior taken in rather dark lightA dining room in Kunsthistorisches Museum in ViennaI am a real estate photographer in Oslo, Norway. Same as with all the other alternatives. [0]Weight: 1130g (39.9 oz.).

* Nikon mount lenses do not have an aperture ring.

Same with the competition. The falls here are known as Gudda Gumoo (Rainbow waters) by the native aboriginal Ghungalu people and hosts several ponds as the falls and cascades makes it's way down through the sandstone walled gorge. Four FLD glass elements (with performance equal to fluorite) and one SLD element (Special Low Dispersion) ensure premium image quality from edge to edge.

[0]Distance information is relayed to the camera, so the Nikon body can do all the advanced exposure-related stuff with this lens. View towards Seal Beach.Image i took in Cape Town. The Sigma 12-24mm f4.0 Art is a 2x super wide-angle full-frame zoom available in mounts for Canon, Nikon and Sigma DSLRs.

(From Sigma lens literature) The Sigma Corporation is pleased to announce the new Sigma 12-24mm F4.5-5.6 II DG HSM.

The lens has six (extra) low dispersion and three aspherical elements. Check the compatibility of your lens with the teleconverter chart.Need more information on a lens?

The Sigma 12-24mm F4.5-5.6 II DG HSM is a premium wide angle zoom lens designed for full frame DSLRs but will work with APS-C cameras with an effective increase in focal length.

Four FLD glass elements (with performance equal to fluorite) and one SLD element (Special Low Dispersion) ensure premium image quality from edge to edge. Some functions may not work depending on the camera model. I’d rather wish that the lens came properly adjusted right out of the box.Above: Sigma Optimization Pro software allows AF fine-tuning for 16 different  combinations of distance and focal length.At 24mm focal length the lens focuses without hunting in around 0.6 sec from infinity to 0.24m, which is quite fast.

The White House is visible in the background.5 HDR images photo stitched in PS.Each HDR image was 3 exposures.Taken from Fulton Park Brooklyn N.Y.experimenting with nd filters and long exposures with Lee filters.The focal length changes the angle of view in an image.

This is a manual two-exposure blend to capture the foreground details and a second exposure for the much brighter sunset sky.This is an image of Balanced Rock in Arches National Park near Moab, Utah. Its rubberized surface is 12mm wide and can be turned with one finger. It was such serendipity!

This version is 39 floors and 159m tall making it the 6th tallest eductional-use building in the world. But the new Sigma allows you to alter focus fine-tuning at four focal lengths and four distances with the USB-dock.

When I adjusted the focus from infinity to 0.24m, I measured a 6% decrease in magnification at 24mm focal length which is pretty little and should not prove distracting when shooting video. And a bit surprising is the price: It’s twice as expensive as its predecessor and also costs 60% more than the Tamron which offers a constant f2.8 aperture plus image stabilization.


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