Their names were out there. "He succeeded [in attracting] the attention of everyone and he won the challenge by burning thousands of euros. "He decided to defy them to see who had the most money. "For a few hours, the rooms is transformed into an ephemeral temple of festival/party, using carefreeness and amusement to counter the socio-political problems of a country still waiting for peace. Much of its lyrics refer to specific dance moves, often referencing current events such as the In 2008, Georges Dyoula distinguished 3 waves in the development of coupé-décalé:In 2005, Vladimir Cagnolari suggested that the music is a way Ivorians are coping with their unstable political situation. '"Saga attracted a group of like-minded big spenders dubbed the "Jet Set," who despite not creating music, gained a following for their flamboyance and dance moves.
"He saw young people with expensive clothes trying to show off," recalls radio host and journalist Usher Aliman. People were expecting us.
Various Jet Set members released albums, many had success, but rather than act as a collective as they did under Saga, key members within Coupe-Decale found themselves competing against each other. Newspapers spoke of the return of Douk Saga, and when he and the Jet Set landed on Ivorian soil, mayhem ensued. Young men dressed to the nines, smoking cigars, quaffing champagne and burning through euros -- sometimes literally. "[His death] brought us together initially," he says. Not that it mattered what they were singing. The fate of Coupe-Decale is in different hands now. Perhaps inevitably, this appropriated version is now filtering back to Ivory Coast.Ivory Coast's coupe-decale musician DJ Arafat (R) and DJ Serge Beynaud present their awards during the Coupe-Decale Awards on October 15, 2016 in Abidjan.Born out of war, Coupe-Decale appears to be struggling to replicate its euphoric high in peacetime. It exuded confidence and success. "There are more and more people who are nostalgic for the Coupe-Decale as it used to be. Prominent artists such as Serge Beynaud, a singer and one-time producer, are racking up millions of hits on YouTube and appealing to a pan-African audience in the post-war era. And people love it that way. It said Ivory Coast may be on its knees, but not its people. This music expresses generationel transformations that affect lifestyles in Africa as well as ways of projecting oneself in the world. Produced by people who claim to have achieved "success" abroad, coupé-décalé represents "elsewhere" as a site from which one can achieve a certain status in consumer society so as to return home to be celebrated. "After years of partying, Kouame is taking a break. Aliman adds that Nigeria, West Africa's dominant entertainment producer, has adopted Coupe-Decale culture for its own. In a musical landscape dominated by patriotic and military music, coupé-décalé arrives like a breath of fresh air to forget the difficult context in which Ivorians are living. In the late 1990s and the years just before civil war began, the seeds of the Coupe-Decale movement had already been sown. Initially music was a secondary matter, with clubs spinning Congolese instrumentals with Ivorian lyricists. But how is it faring today? "The only message is to tell people 'life is beautiful, let's dance.' Young, educated and pursuing a better life, seeing their homeland collapse in on itself was understandably demoralizing.But they had a lifeline; a way to escape into their own safe space of pure joy.
"For a genre in such rude health, why the pessimism?
War raged on, unabated. Coupé-décalé is a type of popular dance music originating in Côte d'Ivoire/ Ivory Coast that Ivorians started using after the rise of ndombolo.
"Fame brings many things, even divisions, and that's exactly what happened," he says. In the years that followed peace talks faltered, presidential mandates were extended and a UN arms embargo attempted to pour cold water on both sides. ""Over the past three years, coupé-décalé has become one of the most thriving forms of popular music in francophone Africa. Drawing heavily from zouglou and ndombolo with African influences, coupé-décalé is a very percussive style, featuring African samples, deep bass, and repetitive minimalist arrangements. "I think at some point the Coupe-Decale will return to its roots," says Aliman. The others began to wonder 'Who is he?
While coupé-décalé is known as Côte d'Ivoire's definitive pop music, it actually began in Paris, created by a group of Ivorian DJs at the Atlantis, an African nightclub in northeast Paris. "I think if the public demands that the Coupe-Decale gets back to what it was before, it'll happen. Melynga 4,335,837 views People wanted us at all their parties. Ivorians who went out to work were all rushing home in the evening, because of the curfew. Young Ivorian immigrants had a taste for nightlife, and were regulars on the Parisian club scene. Find out what's happening in the world as it unfolds.A failed coup on September 19 prompted civil war, forcing a schism between the country's rebel-held north and government-controlled south.
"[Coupé-décalé ] has become very popular at a time of conflict; in fact, the country, has been going through this protracted political and military crisis, with debilitating social and economic effects".Although arising from this time of political turmoil, coupé-décalé lyrically addresses topics such as relationships, earning money and maintaining a good mood or 'bonne ambiance'. "The movement still exists," says Kouame, speaking of the present, "but we can't be united.
Thousands of miles away in France, an expat community looked on in horror. "He still loves Coupe-Decale, but has dropped show-business to concentrate on growing his business and securing his future. "It took them a few months to become popular in Ivory Coast," Aliman explains. Hedonism and financial stability are not natural bedfellows.The Jet Set, he adds, was never the same after the death of Douk Saga in 2006. "It was the beginning of the war. Chat with us in Facebook Messenger. "Dominik, Kohlhagen (December 2005 – January 2006). "Every night we were in a nightclub and we used to go out together.
There's no need for a deeper message.
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